The Goldberg Variations Under the rather dry title Keyboard Exercise Consisting of an Aria with Diverse Variations, one of the most important works in music history was published in 1742: The Goldberg…
John Cage / Arnold Schönberg / Zen Buddhism / “Lecture on Something” / “Lecture on Nothing” / “45 Minutes for a Speaker” / “Chance…provides a leap out of reach of one’s own grasp of oneself”
Animation, Balance, Infinity The novel by Victor Hugo, Notre Dame de Paris, includes in its title the year 1482. It is a historical novel, which, published in 1831, brings to life a…
Space (triptych), 2015 Graphite, gouache, pigment pen on handmade paper 185 × 420 cm Wemhöner collection, Berlin / Herford A starry sky reveals beneath it a mountain panorama. Both the constellation as…
Heiner Müller, Die Gedichte, Suhrkamp, 1998 / Walter Benjamin / Friedrich Nietzsche /
Ferdinand von Schirach, Schuld (Guilt), Piper, 2010 / David Foster Wallace, Brief Interviews with Hideous Men, Little Brown & Company, 1999 / Romanticism / True Cross / pentagram / Star of David / atomic molecule / German eagle
Friedrich Nietzsche’s original text “Antichrist” (1889) / Friedrich Nietzsche, “Twilight of the Idols.” / Lars von Trier, “Antichrist” (2009) / The reassessment of all values
Rote Armee Fraktion (RAF) / „Deutscher Herbst“ / Hanns-Martin Schleyer / Die Bleierne Zeit, ein Film von Margarethe von Trotta, 1981 / Friedrich Hölderlin, „Der Gang aufs Land“ (1800) / Ludwig Wittgenstein, Tractatus logico-philosophicus, 1921 / Andreas Baader / Gudrun Ensslin / Christiane Ensslin (hrsg von), Zieh den Trennungstrich jeden Tag, Konkret Literatur Verlag, 2005 / Felix Ensslin / Jan-Carl Raspe / Stuttgart-Stammheim / „Drei Farben – ROT“ ein Film von Krzysztof Kieślowski, 1994 / DER MYTHOS IST EINE MASCHINE in: Heiner Müller, Hamletmaschine, Shakespeare Factory 2, Berlin: Wagenbach, 1989 / Zur Vorstellung des Terrors: Die RAF-Ausstellung. Herausgegeben von Klaus Biesenbach. Ausstellungskatalog KW Institute for Contemporary Art, Berlin: Steidl, 2005
Andreas Schalhorn In the Undergrowth of Emptiness The drawings continue the photographic situations in a modified, graphically concentrated form, so that new elements and different spaces are constructed. Here, it is also…
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